Game of Thrones – End of Regency

End of Regency is one of four illustrations I made for The Rise of the Dragon, the latest illustrated Game of Thrones book by George R.R.Martin.

Like most of the work I get to publish, this bunch of illustrations was commissioned a little over a year ago. Since the book has just been published, a little ahead of schedule, our embargo has been lifted and we are now allowed to share our images.

I say “we” as, like The World of Ice and Fire which I did back in 2014, The Rise of the Dragon is a collaboration of many of the best artists around.

Some of them I know by reputation, others, like Marc Simonetti, or my old friend John McCambridge I’ve worked with in other projects, including the first Game of Thrones illustrated book, World of Ice and Fire.

There are already a few articles about this new one, and here’s a list of all the art credits.

If you’re tempted to buy Rise of the Dragon and fancy reading a little bit before you do, here are a few places where you can start:

– Obviously George R.R.Martin’s blog;

– A Wiki of Ice and Fire, still in progress by the looks of it;

– Empire: The Rise Of The Dragon – Exclusive Illustrations From George RR Martin’s New Targaryen Tome;

– Forbes: ‘The Rise Of The Dragon’ Review: A Beautiful New Book By George R.R. Martin;

– IGN.com: The Rise of the Dragon: Preview of the House of the Dragon Art Book;

The book is a 700+ pages coffee-table beast, filled with art, covering the rise of the dragons in Westeros along with the House who mastered them, good old Targaryen.

It’s really a must for Game of Thrones fans, as it covers many events that were just hinted at in the books and the series.

My first illustration, End of Regency, depicts the moment when young Aegon Targaryen, backed by his best and most loyal knights, walks into the council’s room and conveys strongly that the time of regency is ended and he is now the king on the Iron Throne.

As always, there’s also the super polished final sketch.

I have to confess that I struggled a bit with composition for End of Regency, as it featured a lot of characters that needed to be in the scene, one of whom is a short boy and another a 2.3m tall giant.

I’m still not convinced the tilt of Aegon’s head is 100% correct, but hey, it was approved so if it looks right to others then it’s right.

Before my beloved Game of Thrones nerds – or even journalists – start to speculate like last time and poke me on different platforms to ask for details, the characters in End of Regency are as follows:

Sitting: Right from Aegon (the blonde guy at the center) is Torrhen Manderly, the Hand of the King. Further right is Grand Maester Munkun and bottom right Lord Grandison.
Sitting left from Aegon is Lord Merryweather, while bottom left is Lord Stackspear.

The HUGE knight behind Aegon is Sandoq the Shadow, while the other four are unspecified Knights of the Kingsguard.

End of Regency:

“Lord Manderly,” King Aegon said, in the sudden stillness, “pray tell
me how old I am, if you would be so good.” “You are ten-and-six today,
Your Grace,” Lord Manderly replied. “A man grown. It is time for you to
take the governance of the Seven Kingdoms into your own hands.” “I
shall,” King Aegon said. “You are sitting in my chair.”

This is the book, in case you couldn’t be bothered to click any of the links above:)

I’ll post the remaining illustrations over the next few days. Obligatory thanks to the art directors at Ten Speed Press: Elizabeth Strongberg and Claudia Sanchez, and obviously to the people at Random House.

Working with them was super positive and fun.

by Paolo Puggioni

King Robert

Green Ronin has just released its update to A Song of Ice and Fire Campaign Guide, another Game of Thrones RPG Rulebook I’ve worked on.
This is King Robert Baratheon, after the Battle of the Trident events which led to his ascent to the Iron Throne.

I could have depicted him in many ways.
Robert was as quick to laughter as he was to rage, he was bold and charming, and the most fearsome warrior of his times.
As a character he could have been suited well both holding a horn of ale or bored to death while attending to one of the kingly duties he loathed so much.
He seemed to enjoy just the idea of being a king, but not so much all the responsibilities that came with the position.

For this particular illustration I chose to see him already ahead in his life, aged by the burdens of the Iron Throne, the intrigues of his court and the excesses he was used to.
According to the Game of Thrones books, he couldn’t fit into his old armour any more. However, I figured he would love to wear some battle garments here and there, as a reminder of how he was.

Unfortunately by the time they offered me the assignment I was already working on something else, so I could only accept a limited amount of illustrations.

Which sucks, because the characters for this assignment were all pretty cool, and I enjoyed the job quite a lot.
Also, I had just finished reading the second book of the Game of Thrones series, and I had their faces (or how my mind imagined them) still vivid in my mind.

I’ll post some more characters in the next few days.
And I’ll stay by the door waiting for the postman to deliver my second big shiny book

by Paolo Puggioni

A Game Of Thrones, Artwork From the RPG

I’ve been allowed to publish some of the artwork I’ve recently done for the RPG of A Game Of Thrones by Green Ronin (yay!)
In the next few days I’ll upload some illustrations from the first batch of inside art.

This is Balerion the Black Dread, the biggest dragon that ever lived.
According to the brief, his teeth are as long as swords, and his mouth could swallow a mammoth whole.
As a Concept Artist it’s difficult to imagine a better thing to work on.

It was been great fun to do, even though I have to admit I completely messed up the assignment and I had to redraw it from scratch after the first feedback.
Dragons in George R.R. Martin’s world have no arms. That is, they obviously have hind legs, whereas their arms evolved into wings, as it happens in bats.
I honestly hadn’t thought of that (Dragons in other settings can be quadrupedal with wings as a further set of limbs) and I’ll make sure I’ll get this clarified next time I’ll be asked to draw one.

Anyway, I’m posting the one that got rejected below. It’s not that bad, there are just two spare arms in the composition
Thanks to Green Ronin for allowing me to post this so soon.

by Paolo Puggioni