Cyberpunk People

Before I finished off the cyberpunk lady I posted last week, I had started a few sketches for the same theme.
Just rough ideas, really.
I was caressing the idea of drawing a whole bunch of cyberpunk concepts, maybe tying them together in a consistent setting.

Then I immediately got distracted by something shinier that I’d like to work on, so I guess I’ll pause the cyberpunk thing and get back to it later.
That’s the beauty of personal projects after all.
You can have twenty of them going on at the same time and no one can say a thing about it.

So, here’s a sketch of some random cyberpunk people (ok this is not rough, I actually polished it a lot more than I should have).

As always, done in Krita!

The cyberpunk setting I had in mind wasn’t set like a million years in the future.
Let’s rather say a hundred years or so.
So I was thinking that in that case, most elements of our own culture and techology should still be recognizable.

The leg implants of the girl on the left are quite similar to today’s prosthetics, for example.

I took a few of the components of the winged lady from Shimano byke parts.

The old creepy guy works instead under the assumption that, in this setting, people’s life span can be increased almost indefinitely by plugging medical equipment into one’s body.

Impractical, maybe, and creepy, but better than being dead I guess.

Anyway, there’s actually another cyberpunk concept I had started working on, this time in ZBrush.

Since I’m slow as hell in ZBrush (I use it so rarely that I forget everything from one time to the other), I’m afraid that you shouldn’t hold your breath for that.

by Paolo Puggioni

Cyberpunk

I have to admit I fell to the hype for CDProjekt Red’s next project, Cyberpunk 2077.

The Witcher 3 was one of my favourite games ever, so I have to assume their new franchise will kick ass just as much.

Seeing their teaser trailer brought back my ancient love for everything Cyberpunk, together with memories of the throng of comics and books I read about it.

I even found an old link saved in one of my bookmarks folders, which led to the complete series of BLAME! (the exclamation mark is not mine, it’s in the title).
For those who don’t know about it, do yourselves a favour and give it a quick read.
The environments and the cyborgs in it are among the most imaginative pieces of art I’ve ever seen.
The mood and sense of scale of the entire comic are just superb.

Anyway.

Riding the wave of this newfound love for everything Cyberpunk, I started sketching something, and this is what came out of it.

Now, with cyberpunk you can go crazy in a lot of different ways.
With this one I meant to be conservative and focus on mood more than anything else.

Instead of tubes and cyber-augmentations and body modifications, I preferred to convey something different and through other means.

For example, the clothes indicate some sort of urban environment (as opposed to what happens here, where everything seems put together from a post-apocalyptic junkyard).

The snazzy glasses are obviously from a high-tech environment, whereas the old-style, vaguely ethnic bling is supposed to suggest another layer to the background.
Maybe a fashion coming from a society that contains elements from what are now developing countries, and that in the future might have a more prominent influence on world’s culture.

I’m quite happy with the level of finish (although I left the hair very much unfinished to leave focus on her face).
I’m still not 100% proficient with Krita, and I had to see if I could do something a bit more polished than what I’ve done so far.

Good God Krita is amazing.

Anyway, I have a couple more cyberpunk sketches to finish off, I’ll post them next week.

by Paolo Puggioni